Producing pop: culture and conflict in the popular music industry. Responsibility: Keith Negus. Imprint: London ; New York: E. Arnold ; New York: Distributed in. Keith Negus – Producing Pop Identifies two distinct ways of thinking about potential artists from within the music industry. These ideologies. by. Keith Negus. · Rating details · 7 ratings · 0 reviews. Producing Pop provides a fascinating behind-the-scenes analysis of one of the world’s major.
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Justin De Marco marked it as to-read Feb 01, Order a copy Copyright or permission restrictions may apply. Music trade ppo United States. You must be logged in to Tag Records.
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Producing Pop: Culture and Conflict in the Popular Music Industry by Keith Negus
Bibliography Includes bibliographical references p. Allison marked it as to-read Oct 24, Chrissie Kate marked it as to-read Feb 23, Ray marked it as to-read Apr 26, Further information on the Library’s opening hours is available at: There priducing no discussion topics on this book yet.
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Produclng on extensive interviews and research within the industry, Keith Negus describes how artists are discovered, how recordings and videos are produced, and how artists are promoted through radio, television, magazines, clubs and personal appearances. Suzanne marked it as to-read Dec 03, Includes bibliographical references p.
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Producing Pop: Culture and Conflict in the Popular Music Industry
Rock music — Great Britain. Stephanie Salerno added it May nwgus, Yong Ryang marked it as to-read Jun 02, BookOnline – Google Books. Nielsen Book Data Publisher’s Summary This work provides a behind-the-scenes analysis of the world’s major entertainment industries.
Published January 7th by Hodder Education Publishers.
From 25 December to 1 Januarythe Library’s Proxucing Rooms will be closed and no collection requests will be prooducing. Request this item to view in the Library’s reading rooms using your library card. Tolga rated it really liked it May 25, Joel added it Feb 09, Jayson Beaster-jones marked it as to-read May 06, Peetieeeee is currently reading it Aug 31, Marty added it Nov 05, Artists and Repertoire and the acquisition of artists Images, identities and audiences: SearchWorks Catalog Stanford Libraries.
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Refresh and try again. To learn more about how to request items watch this short online video. Arnold ; New York: Focusing on the contribution of recording industry personnel, it challenges the simplistic assumption that pop music is merely determined by corporate financial interests, and argues against writers who portray the music business as a cultural assembly line.
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